~pending~ Conservation of a Sir John Gilbert-Graham oil on canvas. When discussing the science of painting conservation with a friend he asked, "You just paint on the painting don't you?" This is a common misconception and over simplification since art conservation requires an understanding of the creation of artworks, art history, chemistry, physics, a little magic, and enormous patience. An appreciation of surface chemistry is a good beginning for paintings conservators. Above is a TEAS chart which maps molecular forces such as non polar dispersion forces, polar dipole forces, and hydrogen boding forces. We sometimes use this diagram to help understand the solubility parameters of surface dirt, varnishes, and paint films so that we can guide our treatment strategies. Modesto Texidor y Torres 1854 - 1927 Oil on canvas, 1892 Barcelona, Spain
Conservation of an elegant aristocrat Tear repair of an unidentified landscape
Painting Tear Repair Featuring Keara Teeter formerly a graduate of Winterthur graduate school for art conservation and now an objects conservator. Featuring Ian McClure, former conservation assistant, removing an old lining canvas that was glued to the back of a 19th century oil painting.
Édouard Leon Cortès 1882-1969 Click to view
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Anna Marie Probst Artist unknown Oil on canvas 19th century Home Home Page | Contact Contact | About Us About Us | Services Services | News News | Treatments Paintings | Case Study | Fakes & Forgeries | Objects | Frames | FAQ FAQ | More Links | Testimonials | |